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My favourite parts of the diagram include the grand loop around Paris to the east, the complex interplay of routes around Lille, and the subtle inclusion of the Winter routes to the French Alps without having to accord them an entire route from start to finish: more complexity is not what this diagram needs! Update: March 3rd, 2011: New version of the diagram with a new route added from Melun to Marseille (Don’t know how I missed that one! Routes from Le Havre to Strasbourg and Cherbourg to Dijon were deleted, as these “experimental” (and poorly patronised) routes stopped running in December 2010.Winter services to Evian and Saint-Gervais also added.Once I worked out the complex routing of trains out of and around Paris, things began to fall into place.

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I find it particularly interesting how the initially homogeneous colours become more mixed the further from Paris you get, especially towards Marseille, where lines from all over France begin to converge towards their final destination.

It’s interesting to note that the equivalent diagram in America would consist of one route – the Acela Express from New York to Washington, DC – and even that barely qualifies as “high speed”. But do note that these trains do not necessarily travel at their maximum speed (up to 300km/ per hour or 185 miles/hour) on all the routes shown.

To attain these speeds, the trains have to run on specially-built tracks, which currently are only on the highest density parts of the system.

However, all these routes use TGV/Eurostar/Thalys/ICE rolling stock, which is the criterion for inclusion on this diagram.

It spread across Europe and was influential for the rest of the century and beyond, but as it became adopted into the mainstream of painting it becomes less common and useful as a term to define artistic style.

After the arrival of Impressionism and later movements which downgraded the importance of precise illusionistic brushwork, it often came to refer simply to the use of a more traditional and tighter painting style.

Realists rejected Romanticism, which had dominated French literature and art since the late 18th century.

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