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While there are elements of all the typical Shaolin Five Animals in his new system (Dragon, Tiger, Leopard, Crane, Snake), Pak Mei's system would come to characteristically embody the ferocity and strength of the tiger, combined with the speed and sharpness of the leopard. He transmitted his refined style to the abbot of a Taoist temple on Mount Ngor Mei known as Gwong Wei.

As a tribute to his master, Gwong Wei renamed the system from ”.

During the span of the Ching Dynasty (1644-1911), many anti-Ching patriots sought refuge at Shaolin temple.

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Although Lin Sang was responsible for introducing Cheung Lai Chun to Jok Fat Wan, he himself had no heirs.

However Cheung Lai Chun would bring Pak Mei kung fu out of the monastery and proceed to spread the system to many, including his last and youngest disciple, Master Kwong Man Fong.

Gwong Wei then passed his inheritance down to his disciple, monk Jok Fat Wan.

From Jok Fat Wan, the art of Pak Mei Kung Fu was passed to Lin Sang and Cheung Lai Chun.

Fong Doe Duk & Mew Hing are rumored to have created their own styles, but there is little evidence to prove this.

The second-most authority within the Five Ancestors’ group was named after his distinct white eyebrows.

They would disperse and go on to plant the seeds of reputable systems that are still being practiced today. His lineage would go on to develop Hung Ga Kyun (Hung Family Fist).

Ng Mui was the predecessor of the Wing Chun system (Eternal Spring).

Cheung was eventually accepted as a student and would come to master the art of Pak Mei Kung Fu.

Grandmaster Cheung Lai Chun began his Pak Mei training in the Gwong How Temple at the age of 24.

He chose to use “Siu Lam” in the title of his system as a tribute to the skills he’d previously acquired at the temple; as well as his Buddhist background.

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