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The night of the party, everyone was there—Aretha [Franklin], Gladys [Knight].

At some point, my manager came over and said, "David Bowie's over there! " I was not a professional singer at that point, but of course I wasn't going to say no. Yes, he was a perfectionist, not just about the studio work but also about how he looked, how he wrote, all kinds of different things.

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After I got there, I went to Paris on a search for David—and I found him. He came over from the other side of the room and said, "Ava, don't drink any more champagne." I said, "Why? People wanted to touch him or speak to him or take his picture.

I speak French and I asked everyone I knew if they had seen him, if they knew he was in town or around. We'd get dressed to the nines and go out to the clubs and dance and talk to people.

It was Cherry, after all, who introduced Bowie to the network of musicians at New York's Apollo Theater, where he began piecing together a band to record with.

In '73 and '74 Bowie produced the Astronettes, a nonstarter that features Cherry's vocals on a curious collection of Bowie-penned tracks; the session was released in somewhat official forms in 19.

Even if he'd be talking to other people about work, he made me feel secure that he was with me.

You've gotta understand that you have a mate who's in show business.Meanwhile I worked for Playboy too—I was a bunny and all that, lived in the mansion.She got that job on her own, and I got in another way: I went to a bunch of parties and then was invited to the mansion. So how does a girl who grew up on the south side of Chicago end up dating David Bowie? At about the end of 1972 I was living in New York at that time and working in a nightclub called Genesis.They were friends, but it wasn't sexual between them.That's why David said he would not speak another word to [his ex-wife] Angie." "That was always one that made me really feel something," she says. At four o'clock in the morning he'd go out to work and wouldn't come home until about nine o'clock at night.

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