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And then there's the unique thing of Timbaland acting as a narrator, saying things like 'take it to the bridge', or 'yeah'. It's two guys interacting." Timberlake said that the chorus was "very James Brown-ish, call out and repeat, like 'Sex Machine'." He wrote the track "from top to bottom. In the Billboard magazine review of the album, contributor Katy Kroll wrote that Timberlake "claims to be bringing 'sexy' back to pop music, and indeed he is.You can almost feel beads of sweat rolling off the title track and 'Sexy Back' featuring Timbaland".

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"This is such a departure from the first record," said Timberlake.

"More people might like it, less people might like it, but you can't call me a chicken." "Sexy Back" was commercially successful in the United States.

The music video was filmed in June 2006; Timberlake decided to work with director Michael Haussman based on the latter's work on Madonna's 1994 music video "Take a Bow".

Hills played the Akai MPC3000 and other virtual synths on his Macintosh computer, while Timbaland performed instruments on the Ensoniq ASR-10 sampling keyboard.

Chris Willman of Entertainment Weekly was complimentary towards Timbaland, producer of the song, writing that Timbaland offers "tougher, trickier rhythms, minimal live playing, a plethora of hip-hop cameos, and a self-consciously hard, edgy club sensibility" to "Sexy Back".

Russell Baillie of The New Zealand Herald noted, "The producer's angular synthesizer crunch is all over it – at best on the single 'Sexy Back' where they dispense with a chorus, leaving the song sustained by its vocal fireworks, electrofunk and Timberlake's repeated declaration that 'I'm bringing sexy back.Glenn Gamboa of Newsday was complimentary towards the song, writing that it was "Timberlake at his best, mainstreaming a combination of the wild, edgy dance-pop style of Basement Jaxx with Missy Elliott's more experimental hip-hop to create a boldly inventive sound that still pleases the masses." Kelefa Sanneh of The New York Times wrote: "...'Sexy Back', a twitchy, emaciated track that shot to the top of the charts and also became an irritating catchphrase.(Suddenly everyone was bringing Adjective Back.)" Dagny Salas of North by Northwestern commented that Timberlake and Timbaland trade ridiculous lines, with "Get your sexy on/Go ahead, be gone with it" and "Dirty babe/You see these shackles/Baby I’m your slave/I’ll let you whip me if I misbehave." Salas continued in her review that it was not a song that should be good, "but does that really matter when it’s Good in the way that songs are during the summer [...] That kind of good makes songs like 'Sexy Back' completely irresistible." Matt Burns of The Post wrote, "Take the polarizing summer single 'Sexy Back', a repetitive song with little structure that doesn't know when to stop, all centered on a ridiculous declaration.The track won the Grammy Award for Best Dance Recording at the 2007 ceremony.In addition, the song won Timberlake the People's Choice Award for Favorite R&B song and the Male Artist of the Year at the 2007 MTV Video Music Awards.Timberlake described "Sexy Back" as "an experiment gone right from the sort of synthesizer influence to the distorted vocals", adding that it was "one of the songs that the more you listen to it its just hook after hook after hook.

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