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Articles on Carnatic Music Live Commentary on 155th Aradhana Festival of Saint Sri Tyagaraja Swamigal Part II by R.

Ganapathi Subramanian Venue: Tiruvaiyaru, (February 2, 2002) This commentary, in modified form, was given on All India Radio during the Aradhana by the author Continued from Part I Thyagaraja, in his long and rich enjoyment of Rama Bhakthi exemplified all these forms.

This form is exemplified by two important factors of Thyagarajas life and work one is Thyagarajas daily Pooja of the Rama idol and the other the collection of the songs called Utsava Sampradaya Kirthanas composed for the several items of the celebration of a Rama festival including the songs that he sang for the several stages of his own Pooja and its sixteen kinds of Upacharas offered to the Lord.

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Ramas feet had two great exploits to their credit: the re-creation of Agalya from her accursed stone state and through their sandals ruling over the kingdom of Ayodya.

Thyagaraja has two songs to adore both these exploits of Ramas feet.

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Thyagaraja explained this in the kriti Kaalaharana (Suddha Saaveri).

Similarly Thyagaraja says in his Rama Paahi Mega Shyama (Kaapi) that he had surrendered himself and all his good deeds to the Lord.

Thyagaraja also yearns to join this company of Ramas servants in the kritis Thavada soham and Upachaaramu.

Sakya, the eighth form, besides references in many songs to friends of Rama like Sugreeva and Vibhishana and the devotion, there is a mention in Chelimini Jalajaksha, Sami ki sari and O Rama O Rama as Thyagarajas friend, Thyagaraja sakhudu and Thyagarajunimitra.

In his Nagaswaravali piece, Sri pathe nee pada, he specially mentions chintana and smarana as his very life.

He expresses the same in another song Rama Kothanda Rama (Bhairavi).

Now come to the important form called Atma Nivedanaa or surrender of ones self to the Lord as the Lords own.

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